I AM SPARTACUS!

Well ok not really, but I do have the next best thing and that's a guest blog by the real actual author of Spartacus: Swords & Ashes - J.M. Clements.

SPOLIARIUM

Author J.M. Clements on his novel Spartacus: Swords & Ashes

Starz were playing their cards very close to their chests about events in the Spartacus: Vengeance TV series. You don’t need a spoiler warning to know the broad historical details. You can get those right now in Plutarch and Appian, Florus and Frontinus. But as for the character details, they weren’t telling until long after my book would need to be delivered. It was too risky to set the first Spartacus novel anywhere near the second season. Instead, it would have to slot somewhere in the first season.

But thanks to those advanced spoilers from the likes of Plutarch, I also knew that while there would still be a couple of upcoming gladiatorial events onscreen, Spartacus’ days in the arena were over. This book could be the last chance to get back to the blood and sand, and show a gladiator’s life in intricate detail.

So I decided that I would make sure that Spartacus: Swords & Ashes included a bird’s-eye view of a whole day at the games, showing all those elements that never quite make it onto television. The crappy, low-rent animal-baitings before lunch-time. The midday executions. The clowns and the clean-up men. The doomed slaves who refuse to cooperate and the crowds that behave contrary to expectations. Behind the scenes, the trumpeters who have to knock up fanfares on command, and the stage manager trying to keep it entertaining, the food sellers and the groupies. And the end of it all, the man with a knife who cuts up the dead for dog-meat.

There’s a famous 1884 painting by the Filipino artist Juan Luna, The Spoliarium, which presents a deliberately shabby, unglamorous perspective on gladiatorial games. There’s no roaring crowd here, no flash of arms or glittering prizes. Instead, dead carcasses are dragged out of sight, while a woman weeps over a lost love, and crook-backed, covetous old men stare indifferently at the slaves who died to entertain them. The picture stands today in pride of place at the entrance to the National Museum of the Philippines, dominating an entire wall, confronting every visitor with the sight of the dark underside of Empire.

This is what Spartacus is really about: the true costs of the garish free entertainment of bread and circuses, themselves doled out to Roman citizens to buy their votes and support for foreign wars and domestic corruption. Spartacus remains famous today because he stood up to the terrible state of a world in which one in three human beings is a slave with no rights. It’s why the story has become such a touchstone of rebellion, and why it still has such resonances two thousand years after it was first told.

Spartacus: Swords & Ashes is available now in the US in paperback and on Kindle and released in the UK on the 27th January.